Platinum cufflinks with blue sapphire cabochons, set on both sides

At the end of the sleeve

Cufflinks
and Dress Sets

One-off pieces from my atelier in Munich: hand-raised discs in platinum and white gold, cabochons in bezels, sets for dinner jacket and tails. Five generations of goldsmithing since 1837.

Cufflinks from the MXHM atelier in Munich: hand-raised discs in platinum and white gold with sapphire cabochons, coloured stones in bezels, antique coins, dress sets and dress studs. One-off pieces made to order, following the book „Kostbare Manschettenknöpfe“ (Precious Cufflinks) by Franz Hemmerle and Walter Grasser.

The principle

The only piece of jewellery with a job to do

A French cuff has no button sewn on. It has four holes. Whoever wants to close it needs a piece of jewellery; there is no plain solution.

The cufflink has been part of European men's dress since the 17th century, for a long time as a mark of rank. By the late 19th century gentlemen wore it to play tennis.

Of the few places where a man wears jewellery, the cuff is the most reserved. It shows itself when the hand reaches out, and disappears again.

The link has to go through the buttonhole every time the shirt is put on: narrow enough to pass, solid enough to survive that a thousand times over. Chain, swivel bar and T-bar are three answers to this one question.

Kostbare Manschettenknöpfe. Von Pablo Picasso bis James Bond (Precious Cufflinks. From Pablo Picasso to James Bond; Hirmer, 2015) was edited by my father Franz Hemmerle together with Walter Grasser and Alexander von Württemberg: more than two hundred pairs from the late 19th century to the present day.

The pieces

One-off pieces from recent years

Each of these pairs existed exactly once. None is available.

Cufflinks with opals in matt white gold
Boulder opals, titanium & white gold
Cufflinks with mandarin garnets in blackened metal
Mandarin garnets, platinum
Cufflinks with blue cabochons in white gold
Sapphire cabochons, white gold & enamel
Cufflinks with softly shimmering cabochons in yellow gold
Moonstones, polished yellow gold
Cufflinks with brown cabochons showing a star
Black star sapphires, blackened palladium
Cufflinks with a differently coloured stone on each side
Tourmalines, white & yellow gold

A favourite

Hand-raised discs in platinum and white gold

Of everything on this page, this is the pair I wear most. The body is not cast: it is raised by hand from sheet, a flat disc whose curve only appears under the hammer. In the centre sits a sapphire cabochon, and that is all.

They are made in platinum and white gold. Side by side you see the difference: platinum sits cooler and a shade darker, white gold lighter.

A hand-raised disc is the most laborious way to build so simple a form, and the only one in which the metal stays evenly under tension to the edge. You see it when light runs across it.

Cufflinks of hand-raised platinum and white gold with a sapphire cabochon

The fitting

A chain rather than a swivel bar

The cabochon links are joined by a fine chain, not by a rigid bar: the link sits loosely in the cuff and does not pull the fabric askew.

Both sides carry a stone, so you always see one, whichever way the cuff falls.

Cufflink in profile: two cabochons joined by a chain

Colour

The stones come first

The face of a cufflink is small, so the stone on it is large in proportion. It decides how the bezel is run, how high the link is built and how much metal remains visible.

Cufflinks, burgundy, pair
BurgundyBurgundy titanium, raspberry garnet
Cufflinks, blue, two-tone, pair
Blue, two-toneRound cabochons, bezel in two metals
Cufflinks, light blue, pair
Light blueLarge cabochons, set flat
Cufflinks, green, pair
GreenEmerald cabochons in yellow gold, a warm setting

Dress set

Dress studs belong with them

A dress shirt has no sewn-on buttons, only holes. A dress set is therefore a set: one pair for the cuff and four shirt studs, all from the same stone and the same setting.

Dress set in the MXHM case: cufflinks and four shirt studs with light blue
        cabochons

Because the studs are small and the cufflink is large, the stone has to be cut twice: once for the face that counts, and once for the one that only plays along.

The shirt studs have a short post with a backing disc and can be put in with one hand.

I make dress sets to match existing cufflinks or from scratch. Either takes longer than a pair, because the stones have to match.

Worn

On the sleeve a different arithmetic applies

On the shirt what counts is how the stone stands to the fabric and to the watch on the same hand. Three photographs taken on the way, not in the studio.

Cufflink with a Bavarian lozenge in white gold and enamel on a shirt
Bavarian lozenge, white gold and enamel
Cufflink of blackened platinum with a black star sapphire on a striped shirt
        cuff
Blackened platinum, black star sapphire
Cufflink with a blue tourmaline in white and yellow gold with a shadow gap
Blue tourmaline, white and yellow gold with a shadow gap
Maximilian Hemmerle von Heckel

Something else in mind?

What you see here is a selection

I have made cufflinks from antique coins, from titanium and blackened steel, with a monogram and without, in gold, white gold and platinum. A particular colour, a stone, a motif: it can almost always be done.

The pairs shown are possibilities for a piece of your own. A photograph, a colour or a motif can be the starting point, and you can reach me directly.

Signature of Maximilian Hemmerle von Heckel

Maximilian Hemmerle von HeckelFifth-generation jeweller · Munich

sayhi@mxhm.de +49 89 21 53 60 66

You are writing to a small, personal team, and usually to me directly.

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